In the dance work “Dog Black A,” choreographer Sally Ann Friedland deals with the light that is within us. Two dancers move in a dark space, with light sources attached to their bodies. The lighting and bodily gestures become a central part of the stage language. The work examines the tension between what is revealed to the eye and what remains hidden. The post “Dance work ‘Dog Black A’ – When darkness takes form / Sally Ann Friedland” first appeared in Salon.
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Strapping his feet to a rowing machine, Vasupol Leerungruang pulled the handles to his chest, leaned forward on the return and repeated the rhythm. In front of him was a monitor that tracked and compared his progress with others. This was part of his training to ensure he is in the best shape possible to compete in next year's Hyrox World Championships in Hong Kong.
Nostalgia is a helluva drug.
Israeli-born painter Yigal Ozeri returns to themes of American iconography in his new solo exhibition, Road Trip, debuting October 22 at the Zemack Gallery in Tel Aviv.
